Understanding this core principle alone answers many tricky questions that are emerging cultural appropriation. For example: take this infamous instance of Katy Perry’s kimono get-up. Asian Americans were nearly unanimous in their denunciation, but the Japanese in Japan seemed not to care. This disconnect is easier to understand once we understand the core principle: what matters is objectification, humans being turned into a prop. Asian Americans are constantly surrounded by non-Asian Americans who always stand ready to objectify them. Japanese in Japan belong to the nation of 127 million of the same ethnicity, and are almost never in danger of being objectified by the person next to them. Of course there will be a difference in reaction between the two groups.
But the mainstream society is hardly the only one that is ignorant of the core principle; Asian American themselves likewise often are unaware of it. This leads to a variation of “magic word racism.” Previously, I explained that “magic word racism” is an attempt to detect racism by the presence or absence of certain words or phrases. Utter the forbidden “Word X,” and you must be considered a racist. The same dumb logic can be found in at least some charges of cultural appropriation. Using any cultural artifact in any way must be cultural appropriation, regardless of the particular context and manner of the particular usage. This is wrong, just as much as magic word racism is wrong.
What, then, is an art student like Cait to do? The first thing is: study. Context-sensitive exploration of Asian arts cannot happen if you don’t know the context. The ultimate challenge is to develop an internal view of the culture that you’re exploring. Through whose eyes are you viewing the culture? Are you seeing it from the perspective of the people who created that culture, or are you seeing it from the eyes of the outsider? Do you understand the sense of aesthetics that led the people to create a cultural artifact, or does your mind stop at the outside shell of the artifact? Do you see the flow of history that led to the creation of this culture, or do you only see the here and now as if the culture fell on your lap from another dimension? Are you actively exploring what the people are saying about themselves, among themselves, in their own language, or are you merely hearing what other white people are saying about the exotic colored people?
These questions naturally lead to self-reflection. What is it about Asian culture and art that attracts you, the non-Asian artist? Lesser people would simply say they “just want it”–a bad answer, because in most cases, they are simply filtering the mainstream society that stands ready to use Asian culture as a prop. Stop the unthinking, and ask this essential question for understanding yourself: why do you want what you want?
This study need not be in isolation. You will keep talking and keep creating, and learn more from the reactions. And in the process, you will offend some people–usually those who are in the hunt for magic word racism, ready to pounce on their made-up rules. Don’t get discouraged; keep plugging away. Because more often than not, a sincere willingness to learn overcomes any mistakes along the way.
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